Officer Scott: Too Much Isn't Enough! returns to Brooklyn Art Haus

The cult favorite comedy with music blends absurd humor, audience participation, and raw vulnerability into a wildly original theatrical experience.

Published on Feb. 24, 2026

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The outrageous solo show "Officer Scott: Too Much Isn't Enough!" is returning to the Brooklyn Art Haus for a string of shows this spring. Created and performed by Sloan Brettholtz and co-written and directed by Bailey Nassetta, the comedy with music blends absurd humor, audience participation, and raw vulnerability into a wildly original theatrical experience.

Why it matters

The return of "Officer Scott: Too Much Isn't Enough!" to the Brooklyn Art Haus continues to build on the show's cult following and provides local audiences with an opportunity to experience the unique blend of comedy, music, and audience interaction that has made the production a standout in the off-off-Broadway scene.

The details

The show will have exclusive D.A.R.E. presentations by Officer Scott at the Brooklyn Art Haus on March 6-7, April 10-11, May 22-23, and July 10-11. Tickets are now available for these upcoming performances.

  • The show will have exclusive D.A.R.E. presentations on March 6-7, 2026.
  • The show will have exclusive D.A.R.E. presentations on April 10-11, 2026.
  • The show will have exclusive D.A.R.E. presentations on May 22-23, 2026.
  • The show will have exclusive D.A.R.E. presentations on July 10-11, 2026.

The players

Sloan Brettholtz

The creator and performer of "Officer Scott: Too Much Isn't Enough!".

Bailey Nassetta

The co-writer and director of "Officer Scott: Too Much Isn't Enough!".

Brooklyn Art Haus

The off-off-Broadway venue hosting the exclusive D.A.R.E. presentations of "Officer Scott: Too Much Isn't Enough!".

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The takeaway

The return of the cult favorite "Officer Scott: Too Much Isn't Enough!" to the Brooklyn Art Haus provides local audiences with a unique opportunity to experience the show's blend of absurd humor, audience participation, and raw vulnerability, further cementing its status as a standout in the off-off-Broadway scene.