Seasoned Pianist Leif Ove Andsnes Captivates with Diverse Program at New England Conservatory

Andsnes performed works by Schumann, Kurtág, and Janáček, showcasing his technical mastery and interpretive prowess.

Published on Feb. 24, 2026

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On January 30, 2026, acclaimed concert pianist Leif Ove Andsnes took the stage at New England Conservatory's Jordan Hall, delivering a captivating performance that spanned the works of Schumann, Kurtág, and Janáček. Throughout the recital, Andsnes demonstrated his technical virtuosity and interpretive depth, guiding the audience through a diverse program that highlighted the evolution of classical music over the past two centuries.

Why it matters

Andsnes's recital provided a unique opportunity for music lovers in the Boston area to experience the artistry of one of the world's most renowned pianists. His ability to navigate such a wide range of styles and eras showcased his versatility and mastery of the instrument, cementing his reputation as a leading figure in the classical music world.

The details

Andsnes began the evening with Schumann's Op. 32, showcasing his clear voicing, rhetorical phrasing, and metronomic rhythm. The program then took a turn with Kurtág's 'Játékok,' a series of dissonant and experimental pieces that challenged the audience's expectations. Andsnes then transitioned to Janáček's 'On an Overgrown Path,' where his interpretations were more measured and sepia-toned, though he found moments of power and introspection. After intermission, Andsnes performed Schumann's 'Carnaval,' gradually loosening his restraint as the work progressed. The recital concluded with encores of Chopin's 'Tarantelle' and Mozart's Rondo in D Major K. 485, which allowed Andsnes to showcase his technical mastery and interpretive joy.

  • The recital took place on January 30, 2026 at New England Conservatory's Jordan Hall.

The players

Leif Ove Andsnes

A seasoned concert pianist known for his technical virtuosity and interpretive depth.

New England Conservatory

A prestigious music school in Boston, Massachusetts, where the recital was held in its Jordan Hall performance venue.

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What they’re saying

“Andsnes's approach seemed less idiomatic in the Janáček works, as he equalized the four contrapuntal lines in the opening piece ('Our Evenings'), as opposed to a more typical homophonic melody plus accompaniment.”

— Caleb Zhao, Music Critic (thetech.com)

“In the final piece of the Janáček set ('The Barn Owl Has Not Flown Away!'), his tendencies managed to align into a convincing performance, the reward of the climax ever greater by the suffocation of the nearly overlapping previous phrases.”

— Caleb Zhao, Music Critic (thetech.com)

What’s next

Andsnes is expected to continue his busy concert schedule, with upcoming performances scheduled across Europe and North America in the coming months.

The takeaway

Leif Ove Andsnes's recital at New England Conservatory demonstrated his remarkable versatility as a pianist, seamlessly navigating a diverse program that spanned the Romantic, modern, and classical eras. His technical mastery and interpretive depth captivated the audience, solidifying his status as one of the preeminent classical musicians of his generation.