Kennedy Center Lawyer's Band Pitch Raises Eyebrows

The DePlorables' bid to perform at the prestigious venue sparks conflict of interest concerns.

Apr. 13, 2026 at 12:39am

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An abstract, minimalist composition featuring stark, jagged geometric shapes and heavy black silhouettes, conceptually representing the tension between personal and professional interests within a cultural institution.A conflict of interest at the heart of a prestigious arts institution raises questions about the boundaries between personal passions and professional integrity.Washington Today

Elliot Berke, the Kennedy Center's top lawyer and general counsel, allegedly tried to secure a gig for his cover band, The DePlorables, at the center's Speakeasy lounge. This move raised ethical questions about the intersection of personal interests and professional responsibilities within the arts and culture sector.

Why it matters

The potential conflict of interest is a key aspect of this story, as Berke's dual role as the Kennedy Center's lawyer and the band's legal counsel creates an ethical dilemma. The incident also sheds light on the challenges of maintaining impartiality in cultural institutions, especially as the Kennedy Center undergoes a planned renovation and rebranding effort.

The details

Despite The DePlorables' unique appeal, playing obscure 1970s glam and punk covers, the Kennedy Center's staff ultimately rejected the idea of booking the band, citing concerns about professionalism and potential bias. The decision highlights the importance of upholding principles of fairness and transparency in cultural institutions.

  • The incident occurred in April 2026.

The players

Elliot Berke

The Kennedy Center's top lawyer and general counsel who allegedly tried to book his band, The DePlorables, to perform at the center's Speakeasy lounge.

The DePlorables

A self-deprecatingly named dad rock cover band led by Elliot Berke, the Kennedy Center's general counsel.

The Kennedy Center

A prestigious arts and culture institution in Washington, D.C. that rejected the booking of Berke's band due to concerns about professionalism and potential bias.

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The takeaway

This incident serves as a cautionary tale, highlighting the potential pitfalls of mixing personal passions with professional responsibilities. As cultural institutions navigate political and artistic landscapes, it's crucial to uphold principles of fairness and transparency to maintain their integrity and credibility.